The re-release of this book is a wonderful thing, we are lucky to have it back in the collective unconscious. If The Little Mermaid 2 met Margaret Atwood’s Alias Grace it might look something like this. But this is better, because it’s real. It’s a story of unrequited love, and madness, and war, and mermaids, and all the ways a small town can shape a big life. It’s a story of the ocean, and its unwavering loyalty to itself. And it’s a story of family, of the ways we mark and are marked by our kin. I will be recommending this book to the people I love for a very long time.
"The Seas took me back to how I felt as a kid, when you’re newly falling in love with literature, newly shocked by its capacity to cast a spell..." —Maggie Nelson (from the Introduction)
A Most Anticipated Book of Summer at BuzzFeed, NYLON, and more.
Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid.
True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend.
With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls readers into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.
About the Author
Samantha Hunt’s The Seas, her debut novel, won a National Book Foundation award for writers under thirty-five. She is also the author of Mr. Splitfoot, Dark, Dark: Stories, and The Invention of Everything Else. Hunt's writing has been published in The New Yorker, The New York Times, McSweeney's, A Public Space, Tin House, Cabinet, among others.
Maggie Nelson is a poet, critic, and nonfiction author of books such as The Argonauts,Art of Cruelty: A Reckoning, Bluets, and Jane: A Murder. She teaches in the School of Critical Studies at CalArts and lives in Los Angeles, California.
One of the most distinctive and unforgettable voices I have read in years. This book will linger in your head for a good long time. — Dave Eggers
Hunt's spare narrative is as mysterious and lyrical as a mermaid's song. The strands of her story are touched with magic, strange in the best possible way and very pleasurable to read. — Andrea Barrett
The Seas is creepy and poetic, subversive and strangely funny, [and] a phenomenal piece of literature.
— Michelle Tea
Hunt blends myth and reality — if her father is from the sea, our narrator wonders, then isn't such magic in her blood as well? — and ends up with something truly stunning. — BuzzFeed
Urgently real and magically unreal . . . A breathy, wonderful holler of a novel, deeply lodged in the ocean's merciless blue . . . [Hunt] sinks an anchor into the soul of its lost young protagonist.
Spare, elegant, affecting . . . The Seas is a testament to doomed romanticism, to the ways in which we hang our hopes on impossible things becoming possible.
This modern feminist fairytale reels you in with its strangeness and beauty and gives voice to the dark realities of alcoholism, mental illness and the everyday messiness of life. — Women@Forbes
An aqueous affair, flooded with water themes . . . Hunt's writing is free of affectation and carries surprising conviction.
In this dazzling, wrenching novel, Hunt challenges traditional mermaid mythology and constructs an unforgettable story about young womanhood in the process. — Bustle
It’s hard to imagine that a book so brief could tackle the Iraq war, grief over the loss of a parent, the longing for freedom, an enthrallment with the ocean, loneliness, sexual awakening, faith, and etymology, all in less than 200 pages, but Samantha Hunt has done it, and done it well. — Chicago Review of Books
To describe Samantha Hunt's entrancing first novel, The Seas, is to try to interpret a watery dream that pushes the boundaries between fiction and fantasy. . . . Hunt's nimbleness makes the idea of leaning toward mermaid fantasies enticing.