Mattilda tells the reader all, never shielding us from the ugliness of her past, which will render you absolutely speechless. But rather than waxing poetic about what it all means, Sycamore unleashes a tidal wave of frustration, happiness, and sometimes drug-induced euphoria in this heartache of a book. It will severely enrich your life--you'll never think of SF in the same way again.— Louise
I am obsessed with Mattilda Bernstein Sycamore. She tells us a unique history of San Francisco during the years when it was still a supremely weird place that the moneyed hadn't (completely) ruined yet. The valuable underground knowledge and lore it unearths and the undeniably queer spark of intelligence and self-reflection make this a vital historical document.— Louise
The End of San Francisco breaks apart the conventions of memoir to reveal the passions and perils of a life that refuses to conform to the rules of straight or gay normalcy. A budding queer activist escapes to San Francisco, in search of a world more politically charged, sexually saturated, and ethically consistent--this is the person who evolves into Mattilda Bernstein Sycamore, infamous radical queer troublemaker, organizer and agitator, community builder and anti-assimilationist commentator. Here is the tender, provocative and exuberant story of the formation of one of the contemporary queer movement's most savvy and outrageous writers and spokespersons.
Using an unrestrained associative style to move kaleidoscopically between past, present and future, Sycamore conjures the untidy push and pull of memory, exposing the tensions between idealism and critical engagement, trauma and self-actualization, inspiration and loss. Part memoir, part social history and part elegy, The End of San Francisco explores and explodes the dream of a radical queer community and the mythical city that was supposed to nurture it.
"Mattilda is a dazzling writer of uncommon truths, a challenging writer who refuses to conform to conventionality. Her agitation is an inspiration."--Justin Torres, author of We the Animals
"Author Mattilda Bernstein Sycamore is the artistic love child of John Genet and David Wojnarowicz, deconstructing language swathed in unbridled sensuality, while flinging readers into a disrupted, chaotic life of queer anarchy."--Gay and Lesbian Review
"Bring on The End of San Francisco And Mattilda Bernstein Sycamore, whose new book has reinvented memoir without the predictable gloss of passive resolution. This book is undeniably brave and new, and the internal energy churning at its core is like nothing you've seen, heard or read before. I swear."--T. Cooper, author of Real Man Adventures
"We hear so much about coming-of-age narratives that we seldom think about going-of-age--the shutting down and closure, the making sense of where we've been. Written with grace, reserve and the honest tremblings that come when things matter, Mattilda shows us that The End of San Francisco is really the beginning of joy."--Daphne Gottlieb, author of 15 Ways to Stay Alive
"It would be easy to describe The End of San Francisco as a Joycean 'Portrait of the Artist as a Young Queer' (although the book's intense stream of consciousness is reminiscent of the later, more experimental, Joyce) . . . but this is misleading. This journey of a life that begins in the professional upper-middle class (both parents are therapists) and the Ivy League and moves to hustling, drugs, activism--Sycamore was active in ACT UP and Queer Nation--and queer bohemian grunge, is profoundly American. At heart, Sycamore is writing about the need to escape control through flight or obliteration."--Michael Bronski, San Francisco Chronicle
"But, some of my favorite writers and people released books this year. Like Mattilda Bernstein Sycamore's beautiful book about queerness and community and lack of and disappointment and marginalization and gentrification and sex, The End of San Francisco. God, I love that book, on a sentence level it is just heartbreaking."--Jessa Crispin, Bookslut
Mattilda Bernstein Sycamore is the editor of four anthologies, including Why Are Faggots So Afraid of Faggots, That's Revolting, and Nobody Passes, and two novels. She writes regularly for a variety of publications, including the San Francisco Bay Guardian, Bitch, Bookslut, Alternet and Time Out New York, and is the reviews editor at the feminist magazine Make/shift. She lives in Seattle, WA.