A young boy sees his dead father every night in his home, dressed head to toe in fancydance regalia. Why is he appearing now, and only at night, and only to the boy? There's conflict here-both inward in terms of identity, loss, and cultural ties, and outward with the disturbingly mystical events trailing behind the ghost's appearance. Reading before bedtime is thrilling, but not necessarily endorsed by this reader, due to creepiness.— Louise
As always, Stephen Graham Jones delivers an emotionally haunting tale with a lot of heart. I had goosebumps the whole time while reading this newest novella by Jones, but I love how it's so much more than just a creepy ghost story. A sleepwalking teenage boy thinks he sees his dead father, and he uncovers more than he bargains for as he tries to understand his family history and how it fits with his Blackfeet heritage. I'm a huge fan of Jones' writing, and his short fiction is especially satisfying to devour!— Kelly
"Brilliant." The New York Times
Mapping the Interior is a horrifying, inward-looking novella from Stephen Graham Jones that Paul Tremblay calls "emotionally raw, disturbing, creepy, and brilliant."
Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella.
Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.
The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save them . . . at terrible cost.
"Brilliant." The New York Times
"Stephen Graham Jones's Mapping the Interior is a triumph. So emotionally raw, disturbing, creepy, and brilliant. You will not be unmoved. You will not be unaffected. It's a ghost story in the truest, darkest, most melancholy sense. Stephen knows we are haunted by our parents, our families, and our shared pasts as much as we are haunted by ourselves; haunted by who we were, who we become, and who we could've been." Paul Tremblay, author of A Head Full of Ghosts and Disappearance at Devil's Rock
"Stephen Graham Joness chilling Mapping the Interior is part S.E. Hinton and part Shirley Jackson. Its about being young and broke, and that moment when you first wonder who your parents really are. The answers are out there, but they will leave you haunted forever." Richard Kadrey, author of the Sandman Slim series
"Mapping the Interior is Jones at his best." PANK Magazine
"A chilling tale told from a less-heard perspective, Mapping the Interior is the type of horror story you keep on your shelf for regular hauntings." Rue Morgue
"Mapping the Interior is thus a masterful critique of time, place, and memory in (post/de)colonial contexts that surfaces questions urgent for Native literature, horror fiction, and American history." World Literature Today
"Wonderfully refreshing and not to be missed." Publishers Weekly